Category: Writing

The Trouble with Being a Writer . . .

March 26, 2010 | Filed Under Writing | Comments Off

looking through lattice window at spring flowers in bloom

I once saw a cartoon with the caption, “The trouble with being a writer is that when you’re looking out a window, nobody believes you’re working.”

Personally, the trouble with being a writer is working so much that I don’t spend enough time looking out windows.

What about you? Do you spend time to wonder? To be amazed at nature? To observe a child discovering something for the first time? To watch a puppy chasing a butterfly?

Am I too focused on getting things done to enjoy the things I’m doing?

I think I’ll add the following to my to-do list this week: Read more →

Article written by Linda Fulkerson

On Becoming a Writer

August 21, 2009 | Filed Under Writing | Comments Off

Fulkerson

Some friends of mine and I started a new group blog titled Inkspirational Messages. This week we’re taking turns introducing ourselves and telling a bit about how we got started in writing. Since I’ve never really done that here, I thought I’d re-post what I shared over there. I’d love to hear comments (at either site) about how you started as a writer and where you are now in your journey.

Funny thing, being a writer. Like the Reading Rainbow show I watched when my kids were younger — you can go anywhere, do anything, become anyone. The funniest thing about me being a writer is that I stumbled upon it quite by accident. I saw a book at a yard sale titled, 25 Careers Women Can Do From Home, or some such thing. I flipped through its yellowed and torn pages, stopping at the chapter on writing. I went to the library, picked up a few books on learning to write, and that evening told my husband I’d decided to become a writer and I figured that within two years, we could both quit our jobs. I was serious.

That was about 15 years ago. We’re both still working, and I’m still learning the craft. I sometimes think I probably could have transitioned to full-time writing by now had I just settled on one type, but to me the writing world is like a roving dessert cart. How can I possibly pick just one? (Lorna’s suggestion that we share what “type” of writing we do made me smile.)

My first foray into the field stemmed from my days as a newspaper typesetter. I almost instantly got promoted to copy-editor (I blame my grammar-nazi father for that), and within weeks began submitting my own copy to the editor. The next thing I knew, I held the title “Sports Writer.” To date, sports writing has been some of the most fun I’ve had in my wordsmithing work.

Magazine articles came next. I still write for a few statewide periodicals but have actually attained a few national bylines. One of my biggest thrills in my hope of becoming the next Marjorie Holmes was the day I received a rejection letter from Woman’s Day on original letterhead, signed in ink — my first non-form-letter rejection. I danced around the room waving the letter around.

Somewhere shortly after that I had a heart-to-heart talk with my mother, which resulted in my first book, The Prodigal Daughter. The book begat a speaking career, and I still speak to groups from time to time either about reconciling relationships or various writing topics.

During the book-writing process, a friend of mine introduced me to what was then called American Christian Romance Writers, an off-shoot of American Christian Writers. The group has evolved into American Christian Fiction Writers (ACFW), and now has nearly 2000 members. I may hold the record as the longest standing member who is not yet published in fiction. It’s that lack of focus thing again, although I have completed a novel (an inspirational historical romance) and am currently working up a proposal to pitch it.

linda and dave barry_2My true writing love, though, is humor. If the writing fairy stopped by my house right now and waved her wand, I’d wish to be transformed into a columnist. The next Erma Bombeck or maybe Dave Barry but with less sarcasm. (I’ve actually had my picture taken with him as well as with Erma’s daughter — that should count for something!)

My humor columns are nearly as diverse as the rest of my writing career has been, and include topics such as Overweight & Underorganized, Navigationally Challenged, To Insanity and Beyond, and Think Outside the Beltway (political commentary). Betsy_Bombeck_and_Linda

It would be a dream come true to have a collection of columns published some day. That nearly happened last year, but sadly, when the economy tanked, so did my would-be agent’s hopes of selling the project, which merited me yet another very nice rejection letter. Such is the life of a writer.

Although it makes my husband crazy, today I no longer worry whether or not my words will be published, which may be why many of them aren’t. I just write what I’m thinking at the time and post much of it on my blog. I hope you’ll stop by there sometime and say “hey!”

Article written by Linda Fulkerson

Plots, Themes, and Goals

August 11, 2009 | Filed Under Writing | Comments Off

typeIt’s day three of my new novel process, and I’ve done preliminary character sketches, got some good notes on the time period and setting, and have written a decent blurb. According to First Draft in 30 Days, today we start on plot.

The first thing a plot needs is the big question the book will answer — also known as the story goal. Wiesner also calls this the “theme,” but from most of the other books I’ve read and classes I’ve attended, I think the theme is something deeper than the story goal. To simplify the difference — goal is an external entity that the character is aware of, and theme is internal. Almost a subconscious thing.

For example, in my novel Wings of the Dawn, the main character’s goal is to save her siblings from the villain. That is the story question — will her young brother and sister be safe at the end of the book? In some stories, the main story question or goal will change. That is not only fine, it’s actually common. In many stories, circumstances change, forcing the character to change directions. In fact, in Wings of the Dawn, Anna Jamison’s goal in chapter one is all but forgotten by chapter three when the antagonist threatens her family. Her goal changed.

Plot is what happens along the way to the story question’s answer — the step-by-step process my heroine must go to in order to ensure the safety of her siblings. In her case, she is blackmailed by the bad guy and must travel across the California Trail to San Francisco. As you can imagine, a lot of things happen along the way. Those things are plot, but the purpose behind her trials is her goal — it’s what keeps her plodding west instead of turning tail and heading home.

A story’s theme is somewhat of an undercurrent that flows beneath the plot’s surface. In Wings of the Dawn, the theme is taken straight from scripture — Psalm 139:7-10, which basically promises us that no matter where we are, God is there, watching over us. As my protagonist travels farther into the wilderness, she begins to lose hope, doubting that God even exists, yet along the trail, God reveals Himself through various circumstances. Nowhere in a novel does the author shout out “THIS IS THE STORY’S THEME,” but at the end, the reader will know.

Theme is often revealed through what is known as the Character Arc. In the beginning, my heroine doubts God. Although she was reared in a family of believers, at the beginning of the book, her faith is almost non-existent. She is cynical and angry with God. Little by little, her trust builds, until later, she begins to share her faith with another. And at the book’s conclusion, she is able to look back and see that throughout the entire ordeal, God never left her side.

A good story will keep the reader so engaged in the plot that the theme is very subtle — like a hidden treasure the reader won’t unearth until the story’s question is answered.

Article written by Linda Fulkerson

First Draft in 30 Days — Day One

August 9, 2009 | Filed Under Writing | Comments Off

wiesnerI don’t know if I’ll keep up a blog on every aspect of my newest novel journey, but yesterday I started the preliminary work on Book Two of an historical romance series.

As with anything in life, books begin with an idea. In her book, First Draft in 30 Days, Karen Wiesner suggests several ways to relax while letting the brainstorming process take its course. For me, brainstorming is the fun part. I spent most of the day what-iffing with my daughter, who has helped me develop ideas on many occasions.

Since this is book two in a yet-to-be publishes series, we started with a couple of secondary characters from the first book. They were young children in that story, so this will be a “Next Generation” type of book in the family saga. Besides, their ages in the time-frame we set the story is perfect for growing a romance.

The nation is on the cusp of change and a short-lived but legendary segment of American history takes place during this decade. I won’t divulge any specifics about the characters, setting, or plot at this time, but a fresh approach to the proverbial love triangle promises to offer plenty of conflict.

Wiesner’s book divides the novel-outlining process into six steps. This book might not be for everyone — the method is rather, well, methodical, but for newer novelists (like me), it’s helpful to have a map to keep one headed in the right direction. If you’re new to noveling, take a few hours to daydream. Pick a time, place, and person whose story you wish to tell. Ask lots of what-if questions. (Write down the questions & answers in a fresh notebook.)

Other books I use when starting a new fiction project are Goal, Motivation & Confict by Debra Dixon, The Anatomy of Story by John Truby, and, of course, Writing the Breakout Novel by Donald Maass. There are many other great novel-writing guide books out there. These just happen to be the ones I prefer. I also mingle Randy Ingermanson’s Snowflake Method and my notes from conference classes taught by John Olson and Susan May Warren among the suggestions offered by Wiesner, Dixon, Maass, and Truby and keep up with all my notes and research in a Scrivener file.

Those who know me, know that I primarily write nonfiction — mostly humor columns or newspaper & magazine articles. It’s been a while since I tackled a book-length project, much less a novel. But I feel ready. What prompted my seemingly sudden forray into fiction? At the prompting of a friend, I just finished a read-through of a dusty fiction WIP, and realized it wasn’t half bad. This inspired me to bring out the red pen and get the manuscript ready to submit. And, since I’ll be working up a proposal anyway, it never hurts to pitch a series. (As we were told often during my time in the Marines — you can ASK for anything. Doesn’t mean you’ll get it, of course, but it never hurts to ask.)

Besides, after just one short day of brainstorming, the characters have already begun to nag me, which is a sign it’s time to write soon.

Article written by Linda Fulkerson

No Bad Writing!

July 26, 2009 | Filed Under Writing | Comments Off

Depp

For those who may not have been aware of this, I offer a variety of workshops. They are posted on the Workshop Page of my website, but I’ve pasted the topic list as well as fee information into this post for the convenience of those who may be interested.

Perk Up Your Prose (Half Day) — A study of literary devices that can enhance writing of all genres (often combined with “Breaking Bad Habits”).

  • Onomatopoeias
  • Personification
  • Similes
  • Alliterations
  • And more . . .

Breaking Bad Habits (Half Day) –  Workshop includes training to increase awareness of those pesky habits that inhibit good writing as well as revision techniques. (Often combined with “Perk Up Your Prose.”)

  • Clear up Cliches
  • Prune Prepositions
  • Avoid Backing In
  • Trim the Fat
  • Weed out Wordiness
  • Resist the Urge to Explain
  • And more . . .

Nonfiction Clinic (Full Day)

  • The Who?, What?, When?, Where?, Why?, and How? of writing a nonfiction article or book.
  • Proper submission protocol
  • Promotion Tips & Tidbits

Fiction Clinic (Full Day)

  • Who Am I? (Character Development)
  • Go for the Goal! (Story and Character Goals)
  • Stacking the Dominoes (Plot)
  • Are You Motivated? (Goal, Motivation & Conflict)
  • You’re Not Paid to Be Nice! (Plot)
  • The Great Backstory Dump (and other no-nos)
  • Ready, Set, Action! (Writing in Scenes)
  • Setting the Scene (Setting & Description)
  • Do We Understand Each Other? (Dialogue)

The Road to Publication (Half or Full Day)

  • Self-publishing
  • Print on Demand Publishing
  • Writers Beware: Vanity Presses
  • Traditional Publishing
  • Cooperative Publishing

Techniques of Humor Writing (Half Day)

  • Includes segment on “Breaking into the Greeting Card Industry”
  • Types & Techniques of Humor
  • Includes segment on self-syndicating your column

Articles & Columns (Half Day)

  • Writing for Magazines
  • Writing for Newspapers
  • Developing the Piece
  • To Blog or Not to Blog
  • Includes information about submitting & promoting your work

Website Workshop

  • Content — Platforms & Designs
  • Commerce — Promotion & Profitability
  • Community — Building your target audience

Design Your Own Luck — Implementing the Elements & Principles of Success into Your Life (Professional Development — *Special, see rate below)

  • Introduction—Luck Verses Design
  • Part I—Principles for Designing Your Own Luck
  • Emphasis: Defining and Focusing Your Goals
  • Balance: Aligning Your Priorities
  • Contrast: Standing Out from the Crowd
  • Unity: Forging Right Relationships
  • Movement: Getting from Here to There
  • Pattern: Formatting a Game Plan
  • Rhythm: Repetition, Repetition, Repetition
  • Part II—Elements for Designing Your Own Luck
  • Space: Recognizing Your Potential
  • Shape: Identifying Your Personality
  • Form: Structuring Your Substance
  • Texture: Releasing Your Creativity
  • Color: Monitoring Your Attitude
  • Intensity: Increasing Your Passion for Excellence
  • Line: Working within Your Boundaries
  • Conclusion—Developing an Action Strategy for Designing Your Own Luck

Fees:

  • Half-day workshop (3-4 hours): $250 for up to 10 persons (includes all materials), $20 per each additional attendee. Workshops held over 100 miles from my home will be subject to additional travel expenses (see below).
  • Full-day workshop (6-7 hours): $500 for up to 10 persons (includes all materials); $40 per each additional attendee. Workshops held over 100 miles from my home will be subject to additional travel expenses (see below).
  • Special workshops :$750 for first 10 attendees; $50 for each additional attendee.
  • Travel expenses: I am located in Morrilton, Arkansas. The first 100 miles is included in the workshop fee, however, distances traveled in addition to the first 100 miles will be charged at the current federal reimbursement rate. Workshops in excess of 200 miles require lodging reimbursement for one night. Workshops in excess of 400 miles require lodging reimbursement for two nights. Workshops in excess of 500 miles require air travel.
Article written by Linda Fulkerson

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